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Double Indemnity and Jung

12 Wednesday Jan 2022

Posted by memoirandremains in Psychology

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Anima, Double Indemnity, Jung, Jungian Psychology, Literature analysis, Movie, shadow

Double Indemnity, a film noir of 1944 directed by Billy Wilder concerns two sets of doubles. There is the “double indemnity” of the insurance policy: in the case of certain rare forms of death, the accident insurance policy will pay double the face value. In the case of this story, a $50,000 policy will pay $100,000 if the death occurs on a train. There is also a second, psychological and moral doubling of the characters.

Briefly, the story concerns a plot by insurance salesman Walter Neff and discontented second-wife, Phyllis Dietrichson  to murder Phyllis’s husband on a train to collect the double indemnity payment. But the real point of the story is the judgment upon Neff.

The story is framed by the wounded Neff struggling into the insurance headquarters in the middle of the night. Neff comes to his office and there dictates a confession to insurance fraud examiner Barton Keyes.

This creates an interesting doubling in the structure of the story. At the primary level, the story concerns the confession and judgment of Neff’s fraud and murder. Keyes suspects fraud and murder, but Keyes has failed to suspect his friend Neff as the criminal. (In fact, Keyes has even invited Neff to join him as a fraud investigator.)

At a secondary level is the play-out of the plot. The story is told from the perspective of Neff. Most of the movie consists of watching the characters play-out Neff’s confession.

The doubling begins prior to the opening of the action. “Mr. Dietrichson” was previously married. Phyllis attended the late wife as the wife’s nurse. After the wife died, the widower married the nurse.

Our story opens with Neff coming to the Dietrichson house (a “$30,000 house” in the Los Feliz district of Los Angeles). Neff is there to obtain a renewal on the Dietrichson car insurance policy.

While there, Phyllis asks if Neff sells accident insurance.  This starts the plot moving.

The perplexing thing about this plot is how quickly and easily Neff advances on this plot. Phyllis has had the opportunity to develop bitterness toward her admittedly difficult husband. But Neff instantly sees the plot and moves the scheme along even more quickly than Phyllis. Phyllis presents the opportunity to commit the crime, and also draws out Neff’s lust.

The lack of development of Neff’s joining into the plot is curious. In the first meeting with Phyllis, he comes onto her with remarkable aggressiveness.  The meeting ends with her telling Neff to come by in the evening, but then leaves him a message at work to come by Thursday afternoon.

At this meeting, Neff accuses her of wanting the accident policy so that she can murder her husband and take the money. The exchange reads as follows:

            NEFF

       Who’d you think I was, anyway? A guy

       that walks into a good-looking dame’s

       front parlor and says “Good afternoon,

       I sell accident insurance on husbands.

       You got one that’s been around too

       long? Somebody you’d like to turn

       into a little hard cash? Just give

       me a smile and I’ll help you collect.”

       Boy, what a dope I must look to you!

              PHYLLIS

       I think you’re rotten.

              NEFF

       I think you’re swell. So long as I’m

       not your husband.

              PHYLLIS

       Get out of here.

              NEFF

       You bet I will. You bet I’ll get out

       of here, baby. But quick.

Shortly thereafter, Phyllis shows up at Neff’s apartment (his address is in the phone book). Just before she arrives, Neff makes the following confession:

            “It had begun to rain outside and I watched it get dark and didn’t even turn on the light. That didn’t help me either. I was all twisted up inside, and I was still holding on to that red-hot poker. And right then it came over me that I hadn’t walked out on anything at all, that the hook was too strong, that this wasn’t the end between her and me. It was only the beginning.”

After she enters, they are overcome with passion. Each says to the other, “I’m crazy about you.” And crazy they are.

Neff knows it is wrong. He knows that Keyes will figure it out – and also that he can outsmart Keyes.  But what are we to make of this double, Neff and Phyllis?

She seems to be functioning in the story as “The Shadow” of Jungian psychology (one does not need to subscribe to Jungian psychology to see its forms being used in a narrative; many writers deliberately incorporated Jungian forms into their writing; e.g., Star Wars):

The shadow is a moral problems that challenges the whole ego-personality, for no one can become conscious of the shadow without considerable moral effort.  To become conscious of it involves recognizing the dark aspects of the personality as present and real. This act is the essential condition for any kind of self-knowledge, and it therefore, as a rule, meets with considerable resistance…. Closer examination of the dark characteristics—that is, the inferiorities constituting the shadow—reveals they have an emotional nature, a kind of autonomy, and accordingly an obsessive or, better, possessive quality. Emotion, incidentally, is not an activity of the individual but something that happens to him. (The Portable Jung, Hull, Campbell, Penguin, p. 145)

Neff’s discussions with Phyllis proceed in such a manner as if he already knows all that she wants and is leading her out even as he desires her.

Phyllis and Neff will eventually murder Mr. Dietrichson and throw his body from the train.

The dead husband functions as a sort of double to Neff. He is what Neff should have been (Keyes and Neff even discuss why neither has ever gotten married). Neff disposes of domestic structures when he murders a husband along with a wife who murdered a wife.

Another double comes to the fore after the murder. The daughter of Dietrichson’s first marriage, Lola (a rival of Phyllis) and Neff take up a sort of relationship. This one is not romantic and certainly not lustful. It is more of a father for a daughter. In Jungian terms she is the “anima”. She is a sort of soul, and “possesses all the outstanding characteristics of a feminine being.” (151)

Lola is thus a double to Phyllis, a double of innocence in contrast to the seduction and murder of Phyllis, but also a double to Neff. Lola interestingly discloses two important facts to Neff. First, from Lola Neff learns that Phyllis acted to kill the first wife by leaving the windows open during a storm when the first wife was dying from pneumonia in her bedroom. Second, Lola tells Neff that Phyllis was trying on mourning attire prior to the murder.

And thus, one aspect of Neff’s double informs on the other aspect of Neff’s double.

There is one other double to Neff, Nico. Nico is Lola’s boyfriend. From Keyes, Neff learns that Nico has been visiting Phyllis at her house at night ever since the murder: this is also when Neff had stopped seeing Phyllis so as to avoid suspicion.

Nico is sort of a stunted version of Neff, and also a more naïve Neff.

On the final night of the story, Neff confronts Phyllis in her house. Phyllis shoots Neff but does not kill him. Neff approaches and she says she loves him.  Neff takes the gun and kills Phyllis. Outside the house, he waits for Nico. He stops Nico, tells him to leave and go back to Lola

            “She’s in love with you. Always has been. Don’t ask me why. I couldn’t even guess.”

And thus, he rescues Nico. It is now, when a wounded shoulder that he returns to the insurance office and there begins to dictate his confession to Keyes.

In Jungian terms, Neff integrates and then dispatches his Shadow by receiving help from his Anima. He also redeems by the whole by presenting his integration to a sort of Father who judges and in a last act then shows mercy to Neff.  (In the final scene, Keyes shows up at the office, having been tipped off by the janitor. It is still night. Neff makes his confession. When Neff collapses due to loss of blood, he takes out a cigarette. Neff has repeatedly provided a match for Keyes whenever he smokes a cigar. This time, Keyes in an act of kindness lights Neff’s cigarette.)

Commentary on Benito Cereno.2

16 Tuesday Nov 2021

Posted by memoirandremains in Uncategorized

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Benito Cereno, Commentary, Literature analysis, Melville

[As a captain, the Spanish Captain is an absolute king on the ship. But he seems to have no power. All orders are given through Babo.]

This splenetic disrelish of his place was evinced in almost every function pertaining to it. Proud as he was moody, he condescended to no personal mandate. Whatever special orders were necessary, their delivery was delegated to his body-servant, who in turn transferred them to their ultimate destination, through runners, alert Spanish boys or slave boys, like pages or pilot-fish within easy call continually hovering round Don Benito. So that to have beheld this undemonstrative invalid gliding about, apathetic and mute, no landsman could have dreamed that in him was lodged a dictatorship beyond which, while at sea, there was no earthly appeal.

[Using modern words, perhaps the captain was just depressed. Delano’s concluding that maybe there is nothing all that wrong is a key element of the story.]

Thus, the Spaniard, regarded in his reserve, seemed the involuntary victim of mental disorder. But, in fact, his reserve might, in some degree, have proceeded from design. If so, then here was evinced the unhealthy climax of that icy though conscientious policy, more or less adopted by all commanders of large ships, which, except in signal emergencies, obliterates alike the manifestation of sway with every trace of sociality; transforming the man into a block, or rather into a loaded cannon, which, until there is call for thunder, has nothing to say.

Viewing him in this light, it seemed but a natural token of the perverse habit induced by a long course of such hard self-restraint, that, notwithstanding the present condition of his ship, the Spaniard should still persist in a demeanor, which, however harmless, or, it may be, appropriate, in a well-appointed vessel, such as the San Dominick might have been at the outset of the voyage, was anything but judicious now.

But the Spaniard, perhaps, thought that it was with captains as with gods: reserve, under all events, must still be their cue. But probably this appearance of slumbering dominion might have been but an attempted disguise to conscious imbecility–not deep policy, but shallow device. But be all this as it might, whether Don Benito’s manner was designed or not, the more Captain Delano noted its pervading reserve, the less he felt uneasiness at any particular manifestation of that reserve towards himself.

[Delano sees that the ship is missing the officers who would help the captain maintain discipline and order on a ship.]

Neither were his thoughts taken up by the captain alone. Wonted to the quiet orderliness of the sealer’s comfortable family of a crew, the noisy confusion of the San Dominick’s suffering host repeatedly challenged his eye. Some prominent breaches, not only of discipline but of decency, were observed. These Captain Delano could not but ascribe, in the main, to the absence of those subordinate deck-officers to whom, along with higher duties, is intrusted what may be styled the police department of a populous ship. True, the old oakum-pickers appeared at times to act the part of monitorial constables to their countrymen, the blacks; but though occasionally succeeding in allaying trifling outbreaks now and then between man and man, they could do little or nothing toward establishing general quiet. The San Dominick was in the condition of a transatlantic emigrant ship, among whose multitude of living freight are some individuals, doubtless, as little troublesome as crates and bales; but the friendly remonstrances of such with their ruder companions are of not so much avail as the unfriendly arm of the mate. What the San Dominick wanted was, what the emigrant ship has, stern superior officers. But on these decks not so much as a fourth-mate was to be seen.

[Delano asks for the details of what had happened to Don Benito and the ship.]

The visitor’s curiosity was roused to learn the particulars of those mishaps which had brought about such absenteeism, with its consequences; because, though deriving some inkling of the voyage from the wails which at the first moment had greeted him, yet of the details no clear
understanding had been had. The best account would, doubtless, be given by the captain. Yet at first the visitor was loth to ask it, unwilling to provoke some distant rebuff. But plucking up courage, he at last accosted Don Benito, renewing the expression of his benevolent interest, adding, that did he (Captain Delano) but know the particulars of the ship’s misfortunes, he would, perhaps, be better able in the end to relieve them. Would Don Benito favor him with the whole story.

Don Benito faltered; then, like some somnambulist suddenly interfered with, vacantly stared at his visitor, and ended by looking down on the deck. He maintained this posture so long, that Captain Delano, almost equally disconcerted, and involuntarily almost as rude, turned suddenly
from him, walking forward to accost one of the Spanish seamen for the desired information. But he had hardly gone five paces, when, with a sort of eagerness, Don Benito invited him back, regretting his momentary absence of mind, and professing readiness to gratify him.

[This is a key element: the two captains cannot talk privately. Babo stands with them, which is a fact about which Delano is again unable to properly understand.]

While most part of the story was being given, the two captains stood on the after part of the main-deck, a privileged spot, no one being near but the servant.

[Exposition: here is the backstory of the ship in detail.]

“It is now a hundred and ninety days,” began the Spaniard, in his husky whisper, “that this ship, well officered and well manned, with several cabin passengers–some fifty Spaniards in all–sailed from Buenos Ayres bound to Lima, with a general cargo, hardware, Paraguay tea and the like–and,” pointing forward, “that parcel of negroes, now not more than a hundred and fifty, as you see, but then numbering over three hundred souls. Off Cape Horn we had heavy gales. In one moment, by night, three of my best officers, with fifteen sailors, were lost, with the main-yard; the spar snapping under them in the slings, as they sought, with heavers, to beat down the icy sail. To lighten the hull, the heavier sacks of mata were thrown into the sea, with most of the water-pipes lashed on deck at the time. And this last necessity it was, combined with the prolonged detections afterwards experienced, which eventually brought about our chief causes of suffering. When–“

Here there was a sudden fainting attack of his cough, brought on, no doubt, by his mental distress. His servant sustained him, and drawing a cordial from his pocket placed it to his lips. He a little revived. But unwilling to leave him unsupported while yet imperfectly restored, the black with one arm still encircled his master, at the same time keeping his eye fixed on his face, as if to watch for the first sign of complete restoration, or relapse, as the event might prove.

The Spaniard proceeded, but brokenly and obscurely, as one in a dream.

–“Oh, my God! rather than pass through what I have, with joy I would have hailed the most terrible gales; but–“

His cough returned and with increased violence; this subsiding; with reddened lips and closed eyes he fell heavily against his supporter.

[The false concern of Babo]

“His mind wanders. He was thinking of the plague that followed the gales,” plaintively sighed the servant; “my poor, poor master!” wringing one hand, and with the other wiping the mouth. “But be patient, Senor,” again turning to Captain Delano, “these fits do not last long; master
will soon be himself.”

Don Benito reviving, went on; but as this portion of the story was very brokenly delivered, the substance only will here be set down.

It appeared that after the ship had been many days tossed in storms off the Cape, the scurvy broke out, carrying off numbers of the whites and blacks. When at last they had worked round into the Pacific, their spars and sails were so damaged, and so inadequately handled by the surviving mariners, most of whom were become invalids, that, unable to lay her northerly course by the wind, which was powerful, the unmanageable ship, for successive days and nights, was blown northwestward, where the breeze suddenly deserted her, in unknown waters, to sultry calms. The absence of the water-pipes now proved as fatal to life as before their presence had menaced it. Induced, or at least aggravated, by the more than scanty allowance of water, a malignant fever followed the scurvy; with the excessive heat of the lengthened calm, making such short work of it as to sweep away, as by billows, whole families of the Africans, and a yet larger number, proportionably, of the Spaniards, including, by a luckless fatality, every remaining officer on board. Consequently, in the smart west winds eventually following the calm, the already rent sails, having to be simply dropped, not furled, at need, had been gradually reduced to the beggars’ rags they were now. To procure substitutes for his lost sailors, as well as supplies of water and sails, the captain, at the earliest opportunity, had made for Baldivia, the southernmost civilized port of Chili and South America; but upon nearing the coast the thick weather had prevented him from so much as sighting that harbor. Since which period, almost without a crew, and almost without canvas and almost without water, and, at intervals giving its added dead to the sea, the San Dominick had been battle-dored about by contrary winds, inveigled by currents, or grown weedy in calms. Like a man lost in woods, more than once she had doubled upon her own track.

[This last part about the ship being effectively becalmed and the lack of water is also in the Ancient Mariner

All in a hot and copper sky, 

The bloody Sun, at noon, 

Right up above the mast did stand, 

No bigger than the Moon. 

Day after day, day after day, 

We stuck, nor breath nor motion; 

As idle as a painted ship 

Upon a painted ocean. 

Water, water, every where, 

And all the boards did shrink; 

Water, water, every where, 

Nor any drop to drink. 

[Don Benito now praises the slaves for their work and care – which we will learn is exactly what did not happen]

“But throughout these calamities,” huskily continued Don Benito, painfully turning in the half embrace of his servant, “I have to thank those negroes you see, who, though to your inexperienced eyes appearing unruly, have, indeed, conducted themselves with less of restlessness than even their owner could have thought possible under such circumstances.”

Here he again fell faintly back. Again his mind wandered; but he rallied, and less obscurely proceeded.

“Yes, their owner was quite right in assuring me that no fetters would be needed with his blacks; so that while, as is wont in this transportation, those negroes have always remained upon deck–not thrust below, as in the Guinea-men–they have, also, from the beginning, been
freely permitted to range within given bounds at their pleasure.”

Once more the faintness returned–his mind roved–but, recovering, he resumed:

[This is a key, the loaded way in which he praises Babo. Babo is saving the captain’s life, but not in the same way that Delano believes has taken place]

“But it is Babo here to whom, under God, I owe not only my own preservation, but likewise to him, chiefly, the merit is due, of pacifying his more ignorant brethren, when at intervals tempted to murmurings.”

“Ah, master,” sighed the black, bowing his face, “don’t speak of me; Babo is nothing; what Babo has done was but duty.”

[Another ironic statement: I cannot call him a slave. Well, in reality, he is not because he has freed himself by violence.]

“Faithful fellow!” cried Captain Delano. “Don Benito, I envy you such a friend; slave I cannot call him.”

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