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Edward Taylor, Meditation 42.6

19 Monday Dec 2022

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Edward Taylor, Meditation 42, poem, Poetry, Poetry Analysis

Stanza Seven

Adorn me Lord with holy huswifry.

All blanch my robes with clusters of thy graces.

Thus lead me to thy threshold: give mine eye

A peephole to see bright glory chases.

Then take me in: I’ll pay, when I possess

Thy throne and thee the rent in happiness.

Notes

Prepare me and let me see the beauty of the world to come. Then, when I come to it, I will repay that sight with thankfulness.

Adorn me Lord with holy huswifry.

All blanch my robes with clusters of thy graces.

We come to the petition which ends the poem. He first asked to be adorned.

The verb adorn has a perfectly comprehensible meaning here: prepare me. But there is also an allusion to the heavenly new world:

Revelation 21:1–2 (KJV)

1 And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea. 2 And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.

The people of God are referred to as the “bride”. In Hosea, Israel is referenced as a bridge. Hos. 2:2, etc. The church is referred to as the bride of Christ. Eph. 5:25-30

Prepare for this holy service and care. (huswifry)

The robes are “blanced”, that is, made white. We again have an eschatological allusion:

Revelation 7:13–14 (KJV)

13 And one of the elders answered, saying unto me, What are these which are arrayed in white robes? and whence came they? 14 And I said unto him, Sir, thou knowest. And he said to me, These are they which came out of great tribulation, and have washed their robes, and made them white in the blood of the Lamb.

Revelation 19:7–10 (KJV)

7 Let us be glad and rejoice, and give honour to him: for the marriage of the Lamb is come, and his wife hath made herself ready. 8 And to her was granted that she should be arrayed in fine linen, clean and white: for the fine linen is the righteousness of saints. 9 And he saith unto me, Write, Blessed are they which are called unto the marriage supper of the Lamb. And he saith unto me, These are the true sayings of God. 10 And I fell at his feet to worship him. And he said unto me, See thou do it not: I am thy fellowservant, and of thy brethren that have the testimony of Jesus: worship God: for the testimony of Jesus is the spirit of prophecy.

The culmination of history is a wedding, where the bride has been made ready to meet her husband. The poet is asking to be prepared for that wedding.

This helps underscore the importance of marriage as concept in Christianity. While the current sociological aspects are important, so is the eschatological reference. The concept of marriage of importance to human beings to teach of the coming event.

The robes are not merely washed white in blood, but they are further adorned with graces. This leads to another allusion, this time to the robes of the priest to enter the temple:

Exodus 39:22–26 (KJV)

22 And he made the robe of the ephod of woven work, all of blue. 23 And there was an hole in the midst of the robe, as the hole of an habergeon, with a band round about the hole, that it should not rend. 24 And they made upon the hems of the robe pomegranates of blue, and purple, and scarlet, and twined linen. 25 And they made bells of pure gold, and put the bells between the pomegranates upon the hem of the robe, round about between the pomegranates; 26 A bell and a pomegranate, a bell and a pomegranate, round about the hem of the robe to minister in; as the LORD commanded Moses.

Just as the people of God are referred to as the wife, they are referred to as priests:

1 Peter 2:9 (KJV)

9 But ye are a chosen generation, a royal priesthood, an holy nation, a peculiar people; that ye should shew forth the praises of him who hath called you out of darkness into his marvellous light:

A priest is one who comes into the presence of God.

Having been prepared, he now requests a sight of what will come:

Thus lead me to thy threshold: give mine eye

A peephole to see bright glory chases.

Before we consider the details, notice that this references back to the beginning of the poem wherein the poet is distressed that his love is insufficient. The love is made active by means of a sight of the beloved. It is an increase in a greater desire for something holy which causes the change in his life.

He is asked to be led to the place of a view and there

to see bright glory chases.

A “chase” is an enclosed park or a hunting ground.  An example of that use of the word would be found in the poem “Chevy Chase”. 

Here the use would be the park, not the hunting ground. The idea would be a closed garden space. The image of a garden runs throughout Scripture. The first couple were placed in a garden. Jesus is buried in a garden tomb. Mary Magdalen mistakes Jesus for a “gardener.” The word “paradise” means garden. The Song of Solomon uses the image of a garden repeatedly for a place of romantic encounter:

Song of Solomon 5:1 (KJV)

1 I am come into my garden, my sister, my spouse: I have gathered my myrrh with my spice; I have eaten my honeycomb with my honey; I have drunk my wine with my milk: eat, O friends; drink, yea, drink abundantly, O beloved.

Thus, Garden combines both eschatological and marriage images.

Then take me in: I’ll pay, when I possess

Thy throne and thee the rent in happiness.

The poet will possess the throne as a “joint heir” with Christ. Rom. 8:17

We end with happiness. Yet to rejoice in the Lord is end of all the other aspects of justification and sanctification. It is to rejoice in being reconciled to and living with our God. We give gifts and hope for the happiness of the one who receives that gift.

Edward Taylor, Meditation 42.5

14 Wednesday Dec 2022

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Edward Taylor, Meditation 42, poem, Poetry, Poetry Analysis

Stanza Six

Can’an in golden print enwalled with gems

A kingdom rim’d with glory round: in fine

A glorious crown pal’de thick with all the stems

Of Grace, and of all properties Divine.

How happy wilt thou make me when these shall                    35

As a blessed heritage unto me fall?

Notes

The import of this stanza is simple. A glorious kingdom is shown to him as his inheritance. He anticipates how happy he will be when he receives this inheritance.

Canaan was the land promised to Israel. As the promised land it functions as a picture of heaven. Here is an example from Jonathan Edwards, the son of Taylor’s friend:

“But the first possession he had in it was the possession of a burying place, or a possession for him to be in after he and his were dead; which signifies this, that the heavenly Canaan, the land of promise, the rest that remains for the people of God, is a land for them to possess, and abide and rest in, after they are dead.” Edwards, Jonathan. Notes on Scripture. Edited by Harry S. Stout and Stephen J. Stein, vol. 15, Yale University Press, 1998, p. 335.

He compares the sight of Canaan as an image which has been interlaid (enwalled) with gemstones.

Gem stones are used throughout the Scripture as an image of the glory of the world to come:

“This kingdom excels in the riches of it; gold doth not so much surpass iron, as this kingdom doth all other riches; ‘the gates are of pearl,’ Rev. 21:21. ‘and the foundations of it are garnished with all precious stones,’ ver. 19. It is enough for cabinets to have pearl; but were gates of pearl ever heard of before? It is said ‘kings shall throw down their crowns and scepters before it.’ Rev. 4:10 as counting all their glory and riches but dust in comparison of it; this kingdom hath Deity itself to enrich it, and these riches are such as cannot be weighed in the balance; neither the heart of man can conceive, nor the tongue of angel express them.” Watson, Thomas. “Discourses upon Christ’s Sermon on the Mount.” Discourses on Important and Interesting Subjects, Being the Select Works of the Rev. Thomas Watson, vol. 2, Blackie, Fullarton, & Co.; A. Fullarton & Co., 1829, p. 74.

He repeats the image this time as a kingdom of glory.

“In fine” means in conclusion. (Latin, finis)

The image of the kingdom is repeated, as a crown. Grace is made to be the adornment of a crown.

all properties Divine. There are two possible references here. This could be a generic reference to all things divine, pertaining to God, of any sort.

However, “properties” is a technical theological term. For example, this usage by Jonathan Edwards, “COMMUNICATION OF PROPERTIES with respect to the divine and human nature of Christ. Such a communication of properties and characters with respect to Christ in the language of Scripture, which divines suppose to have its foundation in the union of the divine and human natures of Jesus, is not absurd.” Misc. 1219. Properties is an equivalent of attributes.

This second usage means the glory of the world to come which so stirs Taylor’s heart is the nature of God himself. John Piper had a useful meditation on this particular point some years ago. https://www.desiringgod.org/books/god-is-the-gospel

The hope is not some place, as lovely as it may be, but communion with God. This is also known in Christian theology as beatific vision.

“CHAP. XLVI

“The happiness of the beatifical vision discovered

“Secondly, they shall have the Beatifical Vision of God, we shall be where he is, and we shall see his face. Says Christ, Father, I will, that those which thou hast given me, be where I am, that is a blessing; but in Rev. 22:4. it is said, They shall see his face, and that is more, They shall know as they are known,* 1 Cor. 13:12. It is the promise of the pure in heart, that they shall see God: 1 John 3:2. Behold, now we are the sons of God, and it doth not yet appear what we shall be, but we know, that when he shall appear,* we shall be like him, for we shall see him as he is. It is the happiness of the Angels that they behold the face of God; so it shall be the happiness of the Saints to behold the face of God in heaven: As for me, I will behold thy face in righteousness, I shall be satisfied when I awake with thy likeness, Psal. 17:15. and so we may have the help of divers Scriptures to shew, that this is the happiness of the Saints.” Burroughs, Jeremiah. Moses His Choice, with His Eye Fixed upon Heaven: Discovering the Happy Condition of a Self-Denying Heart. John Field, 1650, p. 535.

This sight is the greatest answer for the human heart.

“tu excitas, ut laudare te delectet, quia fecisti nos ad te et inquietum est cor nostrum, donec requiescat in te.” Augustine of Hippo. St. Augustine’s Confessions, Vol. 1: Latin Text. Edited by T. E. Page and W. H. D. Rouse, Translated by William Watts, The Macmillan Co.; William Heinemann, 1912, p. 2.

“Because you have made us for Yourself, and our hearts are restless till they find their rest in Thee.”  Augustine, Confessions, 1.1.1. You can find an analysis of that sentence here. https://www.thegospelcoalition.org/blogs/justin-taylor/an-analysis-of-one-of-the-greatest-sentences-ever-written/

Edward Taylor, Meditation 42.3

29 Tuesday Nov 2022

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Edward Taylor, Edward Taylor Meditation 42, Meditation 42, poem, Poetry, Poetry Analysis

Unkey my heart, unlock thy wardrobe: bring

Out royal robes; adorn my soul, Lord, so;                 20

My love in rich attire shall on my King

Attend, and honor on him bestow.

In glory he prepares for his a place

Whom he doth here beglory all with grace.

Notes

The flow of this stanza is easy to follow: Open up your wardrobe and take out a robe to put on me. When I am suitably dressed I will wait upon you like a a courtier waits upon the king.

Unkey my hear, unlock thy wardrobe: bring

Out royal robes; adorn my soul, Lord, so;

Lines 19-20 express a simple prayer: Open up closet and dress me in a robe. The imagery here alludes to the story of the Prodigal Son. The son of a rich father demands his inheritance. The son then leaves his father and wastes the inheritance on debauched living. The son falls to feeding pigs during a famine. In despair he returns home with the hope that he perhaps he take a position as a servant on his father’s estate.  Each movement of the son’s life brings greater disgrace upon the father. To demand an inheritance is to wish his father dead. To live a profligate life degrades his father further. He falls to the lowest of servants and then comes back a virtual slave. The father should reject the son to maintain his honor.

Instead, the father has been patiently waiting for his son to return. When he sees his son “a long way off” he runs through the streets (degrading himself further) to bring his son home. Once home, the father prepares a banquet and dresses his son in his “best robe.” (Luke 15:22)

By alluding to this story, Taylor is putting himself in the place of the son who has degraded his father and then receives grace and mercy in abundance.

The return of the poet for being so dressed is to attend upon the king in love. While no one can increase the honor of God, we can certainly extol his honor, which increases our joy in the Lord. (Think of the analogy. How we praise those things we love and admire because our praise of the thing increases our joy in that object or person. To praise God is not to increase God’s merit but our happiness.)

Let’s now move back to the very first clauses in the stanza:

Unkey my heart, unlock thy wardrobe

The King’s wardrobe is also the poet’s heart. God is not going somewhere else to find the robe. This is the image which has been working its way through the poem. The poet is a chest wherein God should find something wonderful. The love therein is in terrible shape, but the very act of God going to that chest makes it new.

There is a conceit in Christianity that God does not love us because we are lovely. We do not merit God’s mercy and love. But that by loving us, God makes us lovely. His love transforms us.

Taylor ends with this couplet:

In glory he prepares for his a place

Whom he doth here beglory all with grace

In John 14, after the “last supper” the disciples of Jesus are discouraged. He tells them not to be discouraged or frightened: He is leaving. But his leaving is “to prepare a place” for us to live with him.

Christ has gone to prepare a place – and here prepares us here to enter into that place. Here, we are “beglor[ied] all with grace.” Grace is every good kindness which God bestows upon us. Our return to him is love, praise, honor.

This poem then, which extols the glory of God in bestowing grace is part of the honor which the poet promises to render.  The poem is both a prayer and an answer to the prayer (open my heart that I may praise you).

Edward Taylor, Meditation 42.2

09 Wednesday Nov 2022

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Edward Taylor, Meditation 42

Lord, ope the door: rub off my rust, remove

My sin, and oil my lock (dust there doth shelf).

My wards will trig before thy key: my love                15

Then, as enliven’d, leap will on thyself.

It needs must be, that giving hands receive

Again receiver’s heart furled in love wreath.

Notes

The first lines are easily handled: Sin is the rust that keeps the chest of love closed. Simply remove the rust and oil the lock, and love will flow out to the Lord.

My wards is a bit obscure. It must be a reference to the facets of the lock which will open with the key: trig, move quickly. The presentation of God to the soul will awaken the soul. The image of love leaping upon the Lord is surprising. It seem almost irreverent.

The last two line present the sort of linguistic complications which often mark the “metaphysical” poets:

Giving hand receive again: Who is the giver and who the receiver here? The giving must be God, even though the poem has no clear identification. But in terms of relationship, God must be the one who give. The giving hands will then receive the love the receiver, who is the poet. The receiver’s heart is his heart. His heart is adorned with love as a wreath.

It must needs be: The necessity here is propriety not logical: it is right that you receive love from me. That makes clear sense, although this particular stanza is less successful than some others.

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